Download Music Festival 2013 Review
Friday
Despite
patchy rain dampening the atmosphere slightly, energetic metallers Rise To Remain (***) and Architects (****) do a good job of
opening the Main Stage with Architects’ well judged combination of heavy riffs
and pop sensibilities going down particularly well with the crowd. Meanwhile, at
the Pepsi Max Stage, new hardcore act Palm
Reader (****) successfully tear their surprisingly large crowd a new one
with their visceral and chaotic sound. This is clearly a band with their eyes
on bigger things and with the reach to achieve them.
You’d
be hard pressed to even attempt to describe Papa Roach (***) as a ‘Nu Metal’ band anymore, with frontman Jacoby
Shaddix looking less like an angst-ridden teenager and more like someone
auditioning to join Motley Crue. Indeed, their more recent material is given
what can politely described as a ‘muted’ reaction. Nevertheless, when they get
stuck into older hits, like ‘Last Resort’, the mood lifts greatly and the
audience’s goodwill towards them is restored. While Europe (*) proceed to
test the patience of the enormous crowd gathered at the Zippo Encore Stage, who
are clearly just waiting for them to play ‘The Final Countdown’ with laughably
poor rip-offs of The Doors and Stevie Wonder, Korn (****) remind everyone watching them just how enjoyable their
deranged and dissonant metal can be. Even their Skrillex collaboration ‘Get Up’
is well received and by the time they drop ‘Freak On A Leash’, singer Jonathan
Davies has Download Festival in the palm of his hand.
Though Bullet
For My Valentine (***) do a functionally job with their poppier take on
thrash metal, there’s an overwhelming sense that they are merely the appetizers
for the main event. Singer Matt Tuck looks visibly frustrated at the crowd’s
lack of energy and practically storms off the stage at the end. Based on the
type of thunder that Slipknot (*****)
bring, he needn’t be so down on himself, as barely a band on the planet can
compete with the sheer firepower that Corey Taylor’s men display tonight. It’s
almost overwhelming how much love this festival has for the band and a touching
tribute to late bassist Paul Gray are proof that Download is Slipknot’s home
from home. By the time they unleash ‘Duality’, there’s little doubt that they
are now a world-class headline act worthy of any festival.
Saturday
For
any people nursing a hangover from last night’s campsite antics, Mastodon (****)’s trippy hard rock
style might be a little bit too much for their fragile senses to handle. For
the rest of us, their unique sound manages to be boundary pushing without being
self-indulgent. It’s an act that Alice
In Chains (***) somewhat struggle to follow and, while the play hits like
‘The Rooster’ and ‘Them Bones’ well enough, they lack a certain energy needed
to hold the audience’s attention.
Initially seeming out of place on a bill
packed with heavier and more theatrical bands, it’s hard to believe quite how
quickly Queens Of The Stone Age (*****)
make these trappings seem pointless. More menacing than a thousand death metal
bands and more danceable a thousand DJs, Josh Homme’s Stoner Rock mob easily
blow all the competition away. With tracks from seminal new album ‘…Like
Clockwork’ peppered throughout a set which showcases their harder edged
material, they are impossible to tear yourself away from. Outstanding.
There’s rarely a festival recently that Enter Shikari (****) don’t seem to be
playing, but, on the strength of their Zippo Encore Stage headline set, no one
seems to be complaining. Their electronic-heavy metalcore sound combined with singer
Rou Reynolds’ politically charged lyrics shouldn’t work at all, but the
collision of genres works to deliriously enjoyable effect.
It’s
hard to pinpoint what’s lacking from Iron
Maiden (**)’s headline set on Saturday. Maybe it’s that, compared to the
other two Main Stage headliners, their production feels a little bit too well
rehearsed and oddly tame. Maybe it’s that Bruce Dickinson seems a little bit
too keen on promoting the band’s beer and future tour dates than actually
singing their classic songs. Whatever it is, their set feels strangely and
disappointingly sterile.
‘Sterile’ is certainly not a word that
could be used to describe The Hives
(*****)’s performance on the Pepsi Max Stage. Armed to the teeth with sharp
punk tunes and even sharper suits, they make good on their legendary live
reputation. As they close their set with an extended version of ‘Tick Tick
Boom’, their status as the most fun live band on Earth is confirmed.
Sunday
Stoner Rock godfathers Masters Of Reality (***) might not be playing to an enthusiastic
crowd on the Zippo Encore State, but still put on a brave face and attempt to
pack a 28 year career into a 30 minute set. At the opposite end of the scale,
up and coming rap rockers Hackivist (***)
are impressive but barely have enough material to fill their short early
afternoon slot. Mark this one down as a ‘work in-progress’.
Short of actually moving into Castle Donington,
there isn’t much more Corey Taylor can do at this point to show his love for
the festival, as he plays his second Main Stage set of the weekend with Stone Sour (****). Though lacking the
anarchy of Slipknot’s performance on Friday, Taylor’s ‘other’ band does a
fantastic job of working the crowd into frenzy. It’s a performance that The Gaslight Anthem (***) simply can’t
compete with. While their relaxed, Springsteen-eqse rock is a welcome change of
pace from the relentless heaviness of the rest of the line up, it occasionally
feels as if they’ve turned up at the wrong festival.
As
the majority of the Main Stage crowd head back to their tents as 30 Seconds To Mars (**)’ Jared Leto
reads the band’s upcoming UK tour dates from a piece of paper like they were The
Ten Commandments (which tells you all you need to know about their hugely
pretentious performance), the Zippo Encore Stage is gearing up for Nu Metal
poster boys Limp Bizkit (****) to
take the stage. When they emerge, the crowd reaction is unbelievable, with
every song causing mass carnage. It also helps that Fred Durst’s group are much
easier to enjoy fully when they aren’t taking themselves seriously and go out
of their way to crowd-please. It’s not perfect (their whiney cover of The Who’s
‘Behind Blue Eyes’ hasn’t improved with age), but you’d struggle to find a
better crowd atmosphere all out week.
Closing this year’s Main Stage, at times, it’s hard to comprehend just
what is happening during Rammstein
(****)’s set. Featuring camp costumes, enough pyrotechnics to take over the
whole of Leicestershire and (we’re not making this up) singer Till Lindemann
simulating sex with a gimp before spraying foam from a mechanical penis over
the crowd, they make every other band look boring in comparison. Though the
music might not be to everyone’s tastes, their stage show simply has to be seen
to be believed.
It may not have the variety of festivals
like Glastonbury or Reading, but there’s no denying that Download can easily
match them in terms of sheer entertainment value. Long may they continue to
rock on.



